Burma, America, The World, Art, Literature, Political Economy through the eyes of a Permanent Exile. "We must take sides. Neutrality helps the oppressor, never the oppressed. Sometimes we must interfere. . . There is so much injustice and suffering crying out for our attention . . . writers and poets, prisoners in so many lands governed by the left and by the right." Elie Wiesel, Nobel Peace Prize Speech, 1986, Oslo. This entire site copyright Kyi May Kaung unless indicated otherwise.
Sunday, October 12, 2025
Movie The Fly and Kafka's Metamorphosis.
AI Overview
CRONENBERG + GOLDBLUM: THE 1987 INTERVIEWS | MULTIGLOM
The 1986 movie The Fly is a remake of a 1958 film and is not a direct adaptation of a work by Franz Kafka, but rather director David Cronenberg stated that his film is his version of Kafka's novella, The Metamorphosis. While Kafka's story features a man who turns into an insect, Cronenberg's film adds the elements of scientific ambition, a romantic relationship, and a more graphic, body-horror style of transformation.
Kafka's The Metamorphosis
Protagonist: Gregor Samsa wakes up one day transformed into a giant insect.
Plot: The story focuses on his family's difficult reaction to his transformation and his own struggle to adapt.
Themes: It's often interpreted as a tragic commentary on alienation, family duty, and the burden of the body.
Cronenberg's The Fly
Protagonist:
Scientist Seth Brundle accidentally merges his DNA with a housefly during a teleportation experiment.
Plot:
The film tracks Brundle's horrifying, accelerated physical degradation into a "Brundlefly" and his relationship with his girlfriend, Veronica Quaife.
Themes:
Cronenberg's version explores themes of identity, love, and the terrifying physical and emotional consequences of scientific hubris.
Connection to Kafka:
Cronenberg viewed his film as a modern retelling of Kafka's themes, focusing on the horror of the body betraying the mind and the tragedy of a loved one's transformation.
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