http://www.newyorker.com/arts/critics/cinema/2007/12/17/071217crci_cinema_denby
It's interesting how the movie adaptation, a loose one, focuses on character -- and it's disintegration, and "loses" the socialist literalism of Upton Sinclair's original.
The director and the actor revealed very little plot, but analysed character a lot in a recent interview with Charlie Rose.
I haven't seen the film yet, but think the screenplay -- leaked by Paramount, is masterful.
Kyi May Kaung.
